McCulloch, Robert P. "Documents Released in the Ferguson Case". NY Times, St. Louis Police Force, NY Times Archives, Dec. 15, 2014, Clayton, Mo.
http://www.nytimes.com/interactive/2014/11/25/us/evidence-released-in-michael-brown-case.html
A collaborative workspace for ENGL306 at the University of Arizona.
Showing posts with label Julian Aronfeld. Show all posts
Showing posts with label Julian Aronfeld. Show all posts
Monday, May 2, 2016
Wednesday, April 27, 2016
Final Project - Fix a Protest - BLM
My final project will be based on fixing the direction of the #BlackLivesMatter movement. From the way that it looks, the movement has turned from protest to resentment. Many say that the movement has failed, so I would want to go back in time to 2014, and try to fix the direction of the protest. The bills, like the End Racial Profiling Act, which has not been voted on in Congress yet. Those involved in the protest have displayed childish behavior. There has even been counter-intuitive behavior within the BLM protest. I want to set myself back to the inception of the protest, when Michael Brown was shot in 2014, and the protests in Ferguson, Missouri. I want to appeal to the identity of unhappy black people in America, and help steer the movement to a place where it could be taken seriously as a protest.
Tuesday, April 26, 2016
Widerstand - Final Draft
Julian
Aronfeld
Widerstand
Widerstand
(n) – German word meaning “resistance”. But the word has evolved to mean
something much more specific, as words often tend to do. The word Widerstand is now associated with
Germany’s protest against Nazism during World War II.
Most people understand that not every
single German was keen on systematically killing an entire race of people
during World War II. Hitler’s Nazi party and Secret Service were the ones
accomplishing that. Germans still had their lives to live, and they were
affected an entirely different way by Nazis; Nazis set up a social hierarchy.
Even those with the power to stop Nazis but chose not to were not under the
impression that Jews had somehow become scum. They simply wanted their place in
the social ladder, and silently agreeing earned them their place. It was
extremely shallow and superficial, but not malicious. This is where protesters
came in. Resisters were not worried about earning a place in Hitler’s hegemonic
hierarchy, they wanted to make Germany stop doing terrible things.
Hitler’s rise to power came with the
National Socialist Party, which practiced Fascism; the number one enemy of
Communism. Fascism is authoritarian. It focuses on Nationalist principles, keeping
a one-party state, and follows tenants similar to a personality cult. It makes
sure dissenting opinion is swiftly silenced and brushed to the side.
Communism was actually similar in
practice to Fascism, completely opposite in values. Marxism is the very
left-wing government idea that everyone must be paid equally and deserves equal
treatment under the eyes of the government, getting rid of the social hierarchy
that surrounds money and status. Sounds very good in theory, but Marxism became
Communism/Socialism in the Soviet Union. Communism in the Soviet Union during
World War II ended up being left-wing Fascism. Josef Stalin used his power over
his country to greatly oppress his countrymen, and displayed extreme
authoritarian principles to rule his country with an iron fist. That being
said, Stalin did not follow Marxist principles of fair and equal treatment. In
practice we see that Communism didn’t work, but that didn’t stop many people in
the world from being attracted to Marxist values in the 1920s through the
1940s; including Germans. Many Germans were especially attracted to Marxism
during their Great Depression, which ruined thousands of German lives (Brysac).
It created a shaky and divided political climate in Germany leading up to
Hitler’s rise to power.
German resistance to Nazism was a very
complicated and ambiguous protest, stemming from different ideologies across a
whole spectrum of German people. There were some important groups and leaders
in Widerstand who helped shape the
protest and expand it among Germans, but there were so many players in this
protest it’s impossible to point to one historical perspective. Anarchists,
Communists, Jews, those who opposed totalitarianism, all wanted to bring Hitler
to an end. Though the goals all aligned, the Widerstand protest in Nazi Germany has a rich historical context
with multiple perspective and different methods.
It is important to understand the
context behind what it was that Germans protested in Nazi Germany. This is a
more ambiguous task than initially expected, because there were actually two
aspects to Nazism that different protesters addressed; the prosecution of Jews,
and the use of National Socialism in Germany. After World War I, Germany was
left in a depression, even worse than the one faced in America in the 1930s.
The Treaty of Versailles had blamed Germany for World War I, forcing it to pay
all war reparations. Germans were desperate for help, and along came Adolf
Hitler in 1929, promising to make Germany great again. He made promises to
destitute Germans, “profiting from these conditions to become a mass party with
increasing popular support” (Cox).
Most Germans were desperate enough to
agree with Hitler’s ideas initially, but as he rose to power, many saw problems
with his vision for a utopia; mainly that it included a racial cleansing and a
totalitarian government authority. It was Hitler’s initial rise to power in
1933 that sparked a rebellious attitude within youth groups and Jewish
communities (Axelrod). The political climate was rocky, and there were a
multitude of solutions for the German plight that were argued for between the
population. Some believed Hitler to be a savior for the German people, others saw
a monster within him.
It was when Nazism came in full swing
that dissenters began to come out of the woodwork to protest. This was the
inception of the protest, which for this particular protest, was the most
important part. 1933 marked the beginning of the event being protested, when
Hitler became the Führer of Germany’s third Reich. It also marked the inception
of the real protest, when Hitler no longer represented hope and economic
prosperity, but became a manipulative leader, campaigning for systemic genocide.
The entire protest was built around the ongoing crisis of the Germans and the
Nazi party’s power and wrongdoings.
Hitler’s Fascist principles began to show
in the inception of the Nazi Party’s power in the late 1920s, which was
welcomed by many destitute Germans, but unwelcome by many others. Actually, the
protesters were of a minority, since most Germans did not actively resist
Hitler’s dictatorship by 1933, when Hitler became leader (Axelrod). Some
Germans thought Fascism was not the right way to achieve their goals; like the
Red Orchestra, who “followed Marxist principles of Communism right at the Crux
of Soviet influence in Europe” (Cox). The Red Orchestra was led by a group of
three of the biggest German Nazi protesters from the times; Harro
Schulze-Boysen, and Mildred and Arvid Harnack, who began their protest in early
1937. The Red Orchestra consisted of mostly Communists, and the members were
Jews, Catholics, atheists, and Christians. This protest group worked on Nazi
intelligence and worked to form large groups of dissenters in order to expand
the protest.
This was the closest that any group got
to military resistance that didn’t end in bloodshed for the protesters. Unfortunately,
any form of militant protest was impossible, since most “[violent] resisters…
were tortured to death after their capture by the SS”, especially in the case
of the Warsaw Ghettos (Marrus). The Harnacks, along with Schulze-Boysen, did
what they could to help in the resistance. Unfortunately, even this came to an
end when Mildred Harnack was “captured and killed by the SS in 1943”. Her
reputation was “met with ambiguity and confusion; Mildred was seen as a Soviet
Spy in the West and a Marxist saint in the East” (Brysac).
The German resistance movement in World
War II was an important facet of the German identity. The movement marked a
defiant group of Germans who wanted to bring liberty back to their people, and
wanted to stop an evil superpower from taking the world. The identity itself
encompasses so many “groups from young to old, from Jewish to Communist”, it’s
difficult to pinpoint exactly what the full scope of the protest represented
and what its goals were (Brothers). It is evident, through analysis of the
protest rhetoric and context surrounding the protest’s identity, that the
rhetorical goals of Widerstand
literature in Nazi Germany included helping prosecuted Germans, shifting public
opinion on Nazism and creating an intellectual disarray within Germany
regarding Hitler.
It is important to look at the
identities that encompassed the Widerstand
movement and how they affected the protest. There were two different groups of
people that took the most part in the protest; Communists and Jews. The
distinction is not absolute, since many famous protestors such as Herbert Baum
had “background in both the Socialist and Jewish youth movements” (Brothers,
Weisel). The Baum group, along with the White Rose, were two of the most
important groups involved in the anti-Fascist protest, and they both included
elements of Jewish identity and Communist identity. The Baum group was a
Communist group, led by a Jew. They actually produced a monthly news sheet
entitled The Way Out (Der Ausweg)” which was meant to urge
German soldiers to fight with them (McDonough).
The Jewish identity was one greatly at
risk by the Nazi’s actions, and the protest was fueled by the instinct of
self-preservation from German Jews. A people’s identity is important to them,
and most will risk their lives in the name of that identity. The Socialist protestors
were also important, but they opposed the Nazis for different reasons. They
were more interested in fixing the German problem with Marxist ideals than they
were interested in helping Jews. That being said, the two groups had goals that
aligned very much, namely “striking at their Nazi enemies,” whether that be by
intellectual or military means (Cox).
One may argue that these two groups are a
part of a larger humanitarian identity, standing up for Jews’ unfair treatment;
or that they are the commonly seen political resisters, standing up for their
countrymen against an oppressive leadership. These arguments would be
incorrect, purely because the two biggest resistance groups, Jews and
Communists, did not share an origin of dissent. In short, one can’t bunch the
entirety of the resistance identity into one group of humanitarianism or one of
political resistance, but rather a splice of each, aligning to share a common
goal. It is important to make this distinction, because it would unfair and
inaccurate to bunch a group of protesters together that protested for different
reasons, even if they shared a common goal.
The rare cases of militant resistance
were just the tip of the iceberg for German resistance against Nazis. Perhaps
the most important form of protest came from intellectual protest, namely the
White Rose society. The White Rose society was comprised of “Jewish youth…
previously involved in Socialist movements in Germany post-World War I” (WRS).
It is clear that the rhetoric used had to have been inclusive to both
identities involved, which meant they had to share a common enemy.
Hans and Sophie Scholl were two
University students who created the White Rose Society, which was quite
possibly the most impactful and influential intellectual protest to Nazism. The
White Rose leaflets produced and distributed by the Scholls were paramount to
the resistance. They framed their pamphlet distribution very similarly to The
Federalist Papers from colonial America, as underground pamphlets that called
to arms or otherwise grabbed the attention of Nazi resisters (Marrus).
White Rose Society really defined
intellectual protest of Nazis in their own way. They wrote about a very
important aspect of the protest, which was self-preservation of the German
people’s identity. Nazism was a stain on the German name, and would bring
“shame that will befall [German] children when the veil has fallen from [their]
eyes” (WRS #1). This use of pathos was strong, and appealed to Germans who
simply followed Hitler because he promised to make the world a better place for
their children. The White Rose was great at producing pamphlets with logical
and emotional appeal. Their idea of protest was mainly to keep the German
identity strong and separated from the Nazis. This goal ended up becoming a
common goal among German opposition. Instead of attempting something like
destroying a Nazi headquarters, the “White Rose, along with other youth groups
that followed, urged people to separate themselves from the Nazi culture, and
instead preserve themselves” (McDonough).
The White Rose’s use of emotional appeal
was preceded only by logical appeal to the Germans. They attempted to hold a
mirror up to Germans and make them see what evils they were letting their
country participate in. Those who followed Hitler envisioned a utopia, but as a
White Rose pamphlet puts it, “all ideal forms of government are utopias… a
state cannot be constructed on a theoretical basis” (WRS #3). A rhetorical slap
in the face, it seems, this statement is both logical and critical of German’s
docile behavior toward Hitler. This kind of intellectual opposition was
important rhetoric, as it set a precedent for making Germans self-critical of
their involvement in Nazism rather than outwardly critical toward Hitler. It
would later become the “most important way Germans fought the Nazi culture”, as
public protest became more and more heavily outlawed (Cox). The White Rose used
many forms of rhetoric in their anti-Nazi pamphlets, and set important
rhetorical standards for further literary opposition.
Their pamphlets were made to be read by
all Germans that they could reach, and even distribution was taken care of. The
FAUD[i]
was a big group that helped in The White Rose’s goals, when they used their
“influence of labor in order to further distribute pamphlets” (FAUD)[ii].
This is a huge indicator of the White Rose’s influence, as their mainly Jewish
identity was aided by the FAUD’s Anarchist identity. The fact that other
organizations were willing to help is also evident by the White Rose’s pamphlet
production, headed by Sophie Scholl along with help from Ludwig Maximillian
University’s printing team who had previously worked for the Gestapo
(H.E.A.R.T.)[iii].
The printing press team had been Gestapo sympathizers who published propaganda
for Hitler, until the prosecution of two of their Jewish members at which point
the printing team had shifted opinion to work for the resistance (H.E.A.R.T.).
The White Rose Society was created for
the express purpose of “gathering intel… distributing dissent” about Hitler and
the Third Reich (Brothers). The society became a huge catalyst for swaying
German opinion about Hitler when they began the distribution of flyers in 1940.
The leaflets are filled with
arguments for the preservation of the German identity, as well as the call to
dissent Hitler. The first flyer is a public shaming of Germans, as it refers to
the Germans under Hitler as “spineless… shameful… corrupted and spiritually
crushed” (WRS #1)[iv].
These words were not just meant to hurt the feelings of the Germans who read
it. It is meant to compare the Germans of that generation to those of previous,
and shame Germans for being sheep “blindly following their seducers into ruin”
(WRS LoR)[v].
Its purpose is to insult the identity of a few Germans in order to preserve the
identity of all Germans. White Rose Society argues that Germany had become “a
civilized nation allowing itself to be governed without opposition by an
irresponsible clique” (WRS #1). The leaflets don’t directly mention a Communist
identity, as the German identity is the one targeted in their arguments. This
is most likely because it will reach a wider range of people, as well as
reflecting the goals of the Society, which is to introduce opposing opinion to
Hitler for the sake of the German people. Communism was about as popular of an
option as any to destitute Germans, so while it would be possible to target a
niche German audience that supports Communism, the goal was quantity.
The White Rose Society leaflets were
primarily meant to preserve the German identity and dissent Hitler, but the
arguments present in their literature shows a secondary goal; a call to arms.
The leaflets distributed by White Rose are artifacts of protest, simply because
of this goal. They hoped to bring about change in Germany by calling German
people to the resistance. This goal reflects the protest as a whole, and
articulated the identity of all Germans who wanted to change Germany. The
pamphlets literally “Call to all Germans” in order to bring about the necessary
permanent change (WRS LoR).
This change is meant to be permanent,
which is evident by the leaflet’s mention of future generations of Germans and
their fates. German’s probably didn’t “want [them] and [their] children to
suffer the same fate as the Jews”, which is exactly what this leaflet argues
would happen if they don’t stand up and make a change (WRS LoR). They make the
argument that if Germans don’t listen and let Hitler’s regime go either
forgotten, or even worse, accepted, then history is doomed to repeat itself
with the German people. This is a very impactful argument, as it highlights the
importance of heeding the Society’s warnings, with the consequences befalling
not the German people or even the Jews, but their children and all generations
to follow.
One of the biggest facets of German
resistance was the cultural protest that
Widerstand is so famous for. The intent was to cast away the “imperialist
ideology” and “centralized hegemony” that the Nazis attempted to place within
German culture (WRS #5)[vi].
This kind of goal was not one intended to be carried out with military use,
because of the very nature of the goal. The goal of this area of protest was to
bring about a full change in Nazi society, which can only be done by means of
changing the society’s intellectual stance. It relies more on the people of
society than the leaders in this case, which created an interesting dynamic for
this protest to fit.
Opposition to Hitler was the act of
destroying his dreams of Germany, which included totalitarian authority and a
hegemonic structure for him to sit atop, but not necessarily by absolute
destruction of the regime. One example of intellectual opposition focused on
culture was the famous Swingjugend
(Swing Youth) of Germany. Jazz had been a hot button issue in Germany since the
Roaring Twenties, and Hitler set out “to eradicate [Jazz] music”
(HolocaustMusic). The Swing Youth opposed this cultural restriction and decided
to dance to Jazz music anyway, forming secret clubs to play Jazz and swing
dance. This is an important example not only because Youth were such a big part
of the protest movement, but also because they resisted Hitler without public
protest. This kind of inner protest was important, since “public protest had
been deemed illegal by Hitler” (McDonough). The only way to really oppose his
regime was to was to break his rules and make small dents in his ideology’s
control over people. This was accomplished by Swing Youth and serves as a
staple cultural protest to government hegemony.
Religious opposition was even used to
protest Hitler. Dietrich Bonhoeffer was a German protestant pastor who knew
that the use of religion would be a great rhetorical tool to fight Nazi
society, since the very doctrine of religion is meant to take precedence over
societal standards. His way of protest was originally “radio broadcast
criticizing Hitler,” in 1935 but it was cut off mid-air (BiographyOnline)[vii].
It wouldn’t be until later in 1940 that Bonhoeffer would preach a doctrine of
anti-Fascism in a meaningful way. His use of religion was interesting, however,
because it meant to bring Hitler down not by means of cultural or even societal
resistance, but by means of something that trumps both in the eyes of religious
people. God’s word is absolute according to the Bible itself, so if it opposed
Nazism, Germans would have to think twice about their support.
Bonhoeffer quoted the cliché Bible versus
such as Mark 12:31, “Thou shalt love thy neighbor as they love thyself” as a
way of protesting Nazi’s unfair treatment of Germans (Bible). This kind of
ultimate ethos was exactly what the movement needed to include all three
rhetorical means of persuasion; logos, pathos, and ethos. Appealing to God
himself became such a threat to Nazis, his “activities lead to his arrest in
1943” (BiographyOnline). His arrest highlighted the importance of his use of
religion to attack the Nazi way of life. Nazis knew how dangerous the use of
religion could be to end their control on the minds of Germans.
The rhetoric involved in anti-Nazi
protest was diverse, and included participation from multiple identities, all
for the same cause. Widerstand
preserved the German identity from the stain of Nazism both during the war, and
following it. Through use of cultural, religious, and intellectual opposition
to Hitler and Nazism, Widerstand
participants got their names in history as the “most important defense of
German identity in history” (Brothers). They managed to disassociate the term Nazis from the term Germans forever.
The protest that surrounds Widerstand seems like a very important
display of German resistance. This becomes even more obvious when one looks at
the artifacts of protest from the movement itself, and how those artifacts
shaped the protest’s goals and identity. There were multiple origins of
resistance because there were multiple identities tied to the protest itself,
but the most impactful part of the resistance was literature. Military resistance
proved almost useless, since attempts at militant protest toward Nazis was met
with swift action by the superpower’s superior military (Brysac). Among the
most important literature that surrounded the resistance are the White Rose
Society’s pamphlets and the Tarnschriften
(hidden message) advertisements pamphlets that were in circulation in
Germany. Though they both align with the same goals, their functions and
overall purposes proved to be very different.
Similar to the White Rose Society’s
leaflets, yet differing in goals and purpose, were the Tarnschriften[viii]pamphlets
that were produced and distributed by the Red Orchestra Communist resistance
group. These leaflets were formatted a bit differently the White Rose
Society’s, and were arguably more effective. These pamphlets were Nazi intel
and resistance jargon disguised as advertisements for products. The
advertisements were often circulated in larger, more central cities, where
obvious anti-Nazi propaganda would be easily spotted. This needed to be a quick
and easy way to distribute dissent; which it was, as the Red Orchestra
“cornered the market on…Nazi resistance literature” (Brysac). Most ads began
with a general statement about the Nazi’s brutality and evil methods. They
would then go on to explain the general statement, and follow it up with some kind
of way the people could resist.
These pamphlets reflect an identity for
the resistance; the identity of the underground resistance, which is
distinguishable from the White Rose’s German preservation. By hiding anti-Nazi
propaganda within disguised advertisements, the Red Orchestra was doing
something more than the White Rose. They were being overtly deceptive. These
ads were designed to be distributed right under the Nazi’s noses, rather than
in complete secrecy. This deception was an underlying method for these
particular pieces of propaganda. It allowed for a much wider range of audience.
The hidden advertisements also had a
differing purpose from White Rose. The Tarnschriften
was a vessel for intel and Nazi smear campaign. While White Rose pamphlets were
persuasive, Tarnschriften was more
descriptive, based more on information than argument. Rather than trying to
convince Germans to “disassociate [themselves] with Nazis”, the point here was
to inform, like when “Hitlerreglerung in
den tagen von 27. bis 30. oktober de jahres aber zehntausend juden polnischer
staatsangehorigkeit, darunter viele, die selt jahrzehnten in deutschland
ansassig warren, verhaftet”[ix]
(WRS #2; Tarnschraften)[x].
It was this kind of message that the producers of Tarnshcraften were trying to get to the German people in order to
create a crack in the hierarchy. One big part of Hitler’s regime was the
totalitarian attitude, where expressed dissent was punishable by death; even
influential Germans. With this method of resistance, “even German actors and
writers had access” to particular information about the very Nazi regime that
was helping them stay famous (Brysac). The more influential the person, the
more potential they had for helping turn the public opinion around. It was
persuasive by proxy; not persuasive writing in itself, but had the persuasive
effect on people.
The Widerstand
literature was a strong indicator of the resistance’s goals. They included
different types of resistance with differing purposes, all with the express
goal of turning the public’s opinions around. They each represent an important
identity for protesters from Nazi Germany, whether they sought to protect
German identity or introduced a new one into the resistance. Whatever the case
is, White Rose and Red Orchestra are staples in German protest literature,
because they represent possibly the most important protest Germany has ever
had.
It is almost impossible to know the
impact of Widerstand on Nazism.
Hitler still became the Führer of Germany in 1934, he still killed over 10
million Europeans, and he still lost the second World War to the allies. Did
the protesters really do ultimately nothing to help the German people against
Nazis? Was it a useless cause? It has already been established that
intellectual protest led to the introduction and spread of dissenting opinion
in Nazi Germany.
The impact was a crack in the hegemony,
which contributed to the attempt to destroy Hitler’s utopia. It was a shift in
opinion and thought process, but it didn’t exactly stick a monkey wrench in the
ultimate goal of genocide and world domination that the Nazi party had dreamed
of. For example, protesters might focus not on an unrealistic expectation of
blowing up a Nazi facility, but rather the more evidently realistic goal of
attempting to convert the leaders of that facility. That method actually has a
chance of failing, even after execution, because a person can change their
mind; yet this method was still more realistic than a guaranteed bomb
explosion, simply because planting the bomb would be utterly impossible. Intellectual
resistance was the preferred method, the impact of which is impossible to
determine objectively, but rather must be compared to the few other forms of
protest against Nazis. In that sense, it was the most effective simply because
it wasn’t immediately silenced like militant protesters.
The real impact is long term. Everybody
knows about the Holocaust, but an important distinction has been made for those
who understand the German protest; Nazis and Germans are two entirely different
identities. It is normally easy to generalize a group based on the wrongdoings
of the group’s extremists, as seen with Muslims in America post 9/11. Nazi
protest drew a line between Germany and Nazi Germany by reminding people that
Nazism was just a system of beliefs and not reflective of the full German
population. As a result, the aftermath was an understanding of that distinction,
by those not involved. It is evident that other countries intended on punishing
Nazis rather than Germany as a whole. After the war, the allies discontinued
the Treaty of Versailles to put Germany out of debt, and began the Nuremburg
Trials to put former Nazis in jail. There was an immediate understanding of the
distinction between the Nazi party’s actions, and the intentions of Germans as
a whole, thanks to the protest’s ability to clearly draw that distinction. In
that sense, the protest was a success and had a huge impact on Germany
post-WWII.
Widerstand was a huge protest that spanned over
almost the entirety of World War II. It represented a very infamous event,
carried out a well-calculated long-term goal, gives a rare example of the
cooperation of several identities in a shared goal, and its impact is arguable
at best. What is seen by Widerstand
protest is the fact that people can come together for what they believe in even
in an oppressive environment; we aren’t all sheep ready to follow the shepherd
off a cliff. Many of us are smarter than that, and we fight to keep evil people
away from the shepherd’s crook. German protesters from all different walks of
life and belief systems knew the implications of Hitler’s regime. They came
together in the Red Orchestra and in the White Rose Society, all for the shared
purpose of fighting a common enemy. A sense of togetherness tied with a sense
of resistance; Widerstand not only
accomplished the preservation of German identity, but strengthened it as well.
[i]
FAUD is the Freier Arbeiter Union (Free
Worker’s Union). The leaders followed a lot of Communist values and disagreed
with Nazi control over workers and business.
[ii]
Unknown Author, the FAUD article was a part of an English journal written about
anarchy and resistance called En,
Organise!
[iii]
H.E.A.R.T. published a historical article on the White Rose Society, no
expressed author.
[iv]
WRS is the White Rose Society, the # indicates which flyer is being referred
to.
[v]
LoR – Leaflet of Resistance; not numbered but titled.
[vi]
WRS – White Rose Society, one of the largest anti-Nazi intellectual movements.
The website that features them includes six important pamphlets produced and
distributed by the White Rose society.
[vii]
BiographyOnline wrote a biography on Dietrich Bonhoeffer and recounted his
exploits.
[ix]
The pamphlet is in German; a rough translation of this is “Hitler’s regime, on
the days between October 27-30, this year (1941), arrested and prosecuted tens
of thousands of Jews of Polish nationality”. It mentions elsewhere in the pamphlet
that this was right under the public’s nose.
[x]
This example of Tarnschriften was
disguised as Excentric Shampoo, and
is a perfect example of distributed Nazi intel.
Works Cited
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Brysac,
Shareen Blair. "When the Red Orchestra Fell Silent." The New York
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Brysac,
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"White
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Unknown
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Unknown
Author. "The White Rose Revolt & Resistance
Www.HolocaustResearchProject.org." The White Rose Revolt &
Resistance Www.HolocaustResearchProject.org. Carmello Lisciotto H.E.A.R.T.,
2007. Web. 02 Apr. 2016.
Unknown
author. "Dietrich Bonhoeffer Biography." Biography Online.
Biography Online, Sept. 2014. Web. 02 Apr. 2016.
Monday, April 18, 2016
Topic Strings
1.
The song itself was written to help those who
weren’t there visualize the riots, but that only scratches the surface
of the song’s meaning. The
listener is supposed to
visualize the real tension in the air and the raw emotions felt. Hearing about it is obviously not the
same as really being there; strong emotions felt by everyone there were the
catalyst for the violence to escalate. It started with some small fights, and became a revolution, as
protestors even attempted to tip a bus over. In fact, the song was first played on a one-time only re-opening of the
night club, in front of an audience mostly comprised of those who
participated in the riots (LA Times). Stills saw the embodiment of hippie counter-culture during the
Sunset Strip Riots, the passion and need for change; he attempted to recreate that passion in his song, and show the world
what it was really like to be a part of the revolution.
2. The song, The listener, It (the event), It (the event),
The song, Stills (writer)
3. This paragraph is less about the
characters themselves, and more about how they all come together to clarify the
author’s purpose through some historical context. The character is the song,
because it is what is affected and influenced by the events mentioned in the
paragraph. This paragraph is a mixed topic string, because it focuses on
multiple characters, with a centralized emphasis on the main character, the
song.
4. The song itself was written to help
those who weren’t present visualize the riots, but that only scratches the
surface of the song’s meaning. The listener is supposed to visualize the real
tension in the air and the raw emotions felt. The event is experienced differently for those
who listen to the song than those who were truly present; strong
emotions felt by everyone there were the catalyst for the violence to escalate.
The protest started with some small fights, but eventually as some protesters
tried to even tip a bus over, the event became a revolution. In fact, the song was first played for
those who participated in the riots, at a one-time only reopening of the night club. (LA Times). Stills
saw the embodiment of hippie counter-culture during the Sunset Strip Riots, the
passion and need for change; he attempted to recreate that passion in his song,
and show the world what it was really like to be a part of the revolution.
*
*Highlighted are the changes made
5. The
topic positions, as previously stated, were anchored to the beginning of the
sentences. They weren’t moved at all, as their positions were true to the focus
of the sentences. Where I was ambiguous were the stress positions of these
sentences. I moved some stress positions to the end to clarify the focus of the
characters’ consequences.
6. The song was experienced
differently by people who
experienced the event differently. Those who experienced the event differently were
aware of the tensions in
the 1960s. The
tension is what made the protest become a revolution. The revolution was the embodiment of counter-culture. The embodiment of
counter-culture was what Stills wrote his song after.
Thursday, April 14, 2016
Widerstand - Protest Artifact
Julian
Aronfeld
Artifact
Analysis
The protest that surrounds Widerstand seems like a very important
and timeless display of German resistance. This becomes even more obvious when
one looks at the artifacts of protest from the movement itself, and how those
artifacts shaped the protest’s goals and identity. There were multiple origins
of resistance because there were multiple identities tied to the protest
itself, but the most impactful part of the resistance was literature, since
military resistance “proved almost useless” (Brysac). Among the most important
literature that surrounded the resistance are the White Rose Society’s
pamphlets and the Tarnschriften (hidden
message) advertisements pamphlets that were in circulation in Germany. Though
they both align with the same goals, their functions and overall purposes
proved to be very different.
The White Rose Society was founded
by two Communist siblings, Hans and Sophie Scholl, in the Ludwig Maximillian
University. Among its ranks were Christians and Jews alike, all Communists who
disliked Hitler’s fascist regime and wanted to bring justice to the German
people. They began the Society for the express purpose of “gathering intel…
distributing dissent” about Hitler and the Third Reich (Brothers). The society
became a huge catalyst for swaying German opinion about Hitler when they began
the distribution of flyers. The White Rose Flyers were distributed in a way
similar to the Federalist Papers of colonial America. They “discreetly handed
out flyers, labeled with a White Rose”, each issue containing a new perspective
on Hitler’s regime and the German people’s identity (Brysac).
The leaflets are filled with
arguments for the preservation of the German identity, as well as the call to dissent
Hitler. The first flyer is a public shaming of Germans, as it refers to the
Germans under Hitler as “spineless… shameful… corrupted and spiritually
crushed” (WRS #1)[i].
These words were not just meant to hurt the feelings of the Germans who read it
for the sake of hurting their feelings. It is meant to compare the Germans of
that generation to those of previous, and shame Germans for being sheep “blindly
following their seducers into ruin” (WRS LoR)[ii].
Its purpose is to insult the identity of a few Germans in order to preserve the
identity of all Germans. White Rose Society argues that Germany has become “a
civilized nation allowing itself to be governed without opposition by an
irresponsible clique” (WRS #1). The leaflets don’t directly mention or
articulate for a Communist identity, as the German identity is the one targeted
in their arguments. This is most likely because it will reach a wider range of
people, as well as reflecting the goals of the Society, which is to introduce
opposing opinion to Hitler for the sake of the German people.
The White Rose Society leaflets are
primarily meant to preserve the German identity and dissent Hitler, but the
arguments present in their literature shows a secondary goal; a call to arms.
The leaflets distributed by White Rose are artifacts of protest, simply because
of this goal. They hope to bring about change in Germany by calling German
people to the resistance. This goal reflects the protest as a whole, and
articulates the identity of all Germans who want to change Germany, not just
the general prideful German identity. The pamphlets literally “Call to all
Germans” in order to bring about the necessary permanent change (WRS LoR). This
change is meant to be permanent, which is evident by the leaflet’s mention of
future generations of Germans and their fates. German’s probably don’t “want
[them] and [their] children to suffer the same fate as the Jews”, which is
exactly what this leaflet argues will happen if they don’t stand up and make a
change (WRS LoR). They make the argument that if Germans don’t listen and let
Hitler’s regime go either forgotten, or even worse, accepted, then history is
doomed to repeat itself with the German people. This is a very impactful
argument, as it highlights the importance of heeding the Society’s warnings,
with the consequences befalling not the German people or even the Jews, but
their children and all generations to follow.
Similar to the White Rose Society’s
leaflets, yet differing in goals and purpose, were the Tarnschriften[iii]pamphlets
that were produced and distributed by the Red Orchestra Communist resistance
group. These leaflets were formatted a bit differently the White Rose
Society’s, and were arguably more effective. These pamphlets were Nazi intel
and resistance jargon disguised as advertisements for products. The
advertisements were often circulated in larger, more central cities, where
obvious anti-Nazi propaganda would be easily spotted. This needed to be a quick
and easy way to distribute dissent; which it was, as the Red Orchestra “cornered
the market on…Nazi resistance literature” (Brysac). Most ads began with a
general statement about the Nazi’s brutality and evil methods. They would then
go on to explain the general statement, and follow it up with some kind of way
the people could resist.
These pamphlets reflect an identity for
the resistance; the identity of the underground resistance, which is
distinguishable from the White Rose’s German preservation. By hiding anti-Nazi
propaganda within disguised advertisements, the Red Orchestra was doing
something more than the White Rose. They were being overtly deceptive. These
ads were designed to be distributed right under the Nazi’s noses, rather than
in complete secrecy. This deception was an underlying method for these
particular pieces of propaganda. It allowed for a much wider range of audience.
The hidden advertisements also had a
differing purpose from White Rose. The Tarnschriften
was a vessel for intel and Nazi smear campaign. While White Rose pamphlets were
persuasive, Tarnschriften was more descriptive,
based more on information than argument. Rather than trying to convince Germans
to “disassociate [themselves] with Nazis”, the point here was to inform, like
when “Hitlerreglerung in den tagen von
27. bis 30. oktober de jahres aber zehntausend juden polnischer
staatsangehorigkeit, darunter viele, die selt jahrzehnten in deutschland
ansassig warren, verhaftet”[iv]
(WRS #2; Tarnschraften)[v].
It was this kind of message that the producers of Tarnshcraften were trying to get to the German people in order to
create a crack in the hierarchy. One big part of Hitler’s regime was the
totalitarian attitude, where expressed dissent was punishable by death; even
influential Germans. With this method of resistance, “even German actors and
writers had access” to particular information about the very Nazi regime that
was helping them stay famous (Brysac). The more influential the person, the
more potential they had for helping turn the public opinion around. It was
persuasive by proxy; not persuasive writing in itself, but had the persuasive
effect on people.
The Widerstand
literature was a strong indicator of the resistance’s goals. They included
different types of resistance with differing purposes, all with the express
goal of turning the public’s opinions around. They each represent an important
identity for protesters from Nazi Germany, whether they sought to protect
German identity or introduced a new one into the resistance. Whatever the case
is, White Rose and Red Orchestra are staples in German protest literature,
because they represent possibly the most important and memorable protest
Germany has ever had.
[i]
WRS is the White Rose Society, the # indicates which flyer is being referred
to.
[ii]
LoR – Leaflet of Resistance; not numbered but titled.
[iv]
The pamphlet is in German; a rough translation of this is “Hitler’s regime, on
the days between October 27-30, this year (1941), arrested and prosecuted tens
of thousands of Jews of Polish nationality under the public’s nose”
[v]
This example of Tarcnschraften was
disguised as Excentric Shampoo, and
is a perfect example of distributed Nazi intel.
Thursday, April 7, 2016
Historical Context
German
resistance to Nazism was a very complicated and ambiguous protest, stemming
from different ideologies across a whole spectrum of German people. There were
some important groups and leaders in Widerstand
who helped shape the protest and expand it among Germans, but there were so
many players in this protest it’s impossible to point to one historical
perspective. Anarchists, Communists, Jews, those who opposed totalitarianism,
all wanted to bring Hitler to an end. Though the goals all aligned, the Widerstand protest in Nazi Germany has a
rich historical context with multiple perspective and different methods.
It is important to understand the
context behind what it was that Germans protested in Nazi Germany. This is a
more ambiguous task than initially expected, because there were actually two
aspects to Nazism that different protesters addressed; the prosecution of Jews,
and the use of National Fascism in Germany. After World War I, Germany was left
in a depression, even worse than the one faced in America in the 1930s. The
Treaty of Versailles had blamed Germany for World War I, forcing it to pay all
war reparations. Germans were desperate for help, and along came Adolf Hitler,
promising to make Germany great again. He made promises to destitute Germans, “profiting
from these conditions to become a mass party with increasing popular support”
(Cox). Germans were desperate enough to agree with Hitler’s ideas initially,
but as he rose to power, many saw problems with his vision for a utopia; mainly
that it included a racial cleansing and a totalitarian government authority. It
was “Hitler’s initial rise to power in 1933… sparked a rebellious attitude within
youth groups and Jewish communities” (Axelrod). It was when Nazism came in full
swing that dissenters began to come out of the woodwork to protest. This was
the inception of the protest, which for this particular protest, was the most important
part. It marked the beginning of the event being protested, in conjunction with
the beginning of the protest itself. Furthermore, the inception drew the
distinction between Nazis and Germans for the dark events that were to follow.
The entire protest was built around the ongoing crisis of the Germans and the Nazi
party’s power and wrongdoings.
Hitler’s Fascist principles began to show
in the inception of Nazi’s power, which was welcomed by many destitute Germans,
but unwelcome by many others. Actually the protesters were of a minority, since
“most Germans did actively resist the dictatorship” (Axelrod). Some Germans
thought Communism was the right way and not Fascism, like the Red Orchestra,
who “followed Marxist principles of Communism right at the Crux of Soviet
influence in Europe” (Cox). The Red Orchestra was led by a group of three of
the biggest German Nazi protesters from the times; Harro Schulze-Boysen, and
Mildred and Arvid Harnack. The Red Orchestra consisted of mostly Communists,
and the members were Jews, Catholics, atheists, and Christians. This protest
group worked on Nazi intelligence and working to form large groups of
dissenters in order to expand the protest. This was the closest that any group
got to military resistance that didn’t end in bloodshed for the protesters. Unfortunately,
other versions military protest was impossible, since any “[violent] resisters…
were tortured to death after their capture by the SS”, especially in the case
of the Warsaw Ghettos (Marrus). The Harnacks, along with Harro Schulze-Boysen,
were able to do what they could to help in the resistance. Unfortunately, even
this came to an end. Mildred Harnack was “captured and killed by the SS in 1943”,
and her reputation was “met with ambiguity and confusion; Mildred was seen as a
Soviet Spy in the West and a Marxist saint in the East” (Brysac).
Military resistance was just the tip of
the iceberg for German resistance against Nazis, because perhaps the most
important form of protest came from intellectual protest, namely the White Rose
society. Hans and Sophie Scholl were two University students who decided to begin
their own form of protest. They created the White Rose Society, which was quite
possibly the most impactful and influential intellectual protest to Nazism. The
White Rose leaflets produced and distributed by the Scholls were paramount to
the idea of resistance. They framed their pamphlet distribution very similar to
The Federalist Papers from colonial America, as “underground… pamphlets that
called to arms or otherwise grabbed the attention of Nazi resisters” (Marrus). These
pamphlets were there to be read by all Germans that they could reach, and even
distribution was taken care of. The FAUD[i]
was a big group that helped White Rose out, when they used their “influence of
labor in order to further distribute pamphlets” (FAUD)[ii].
This is a huge indicator of the White Rose’s influence, as their mainly Jewish
identity was aided by the FAUD’s Anarchist identity. The fact that other
organizations were willing to help is also evident by the White Rose’s pamphlet
production, headed by Sophie Scholl along with help from “Ludwig Maximillian
University’s printing team… [who] previously worked for the Gestapo” (H.E.A.R.T.)[iii].
The printing press team had been Gestapo sympathizers who published propaganda
for Hitler, until the “prosecution of two of their members, Jews”, at which
point the printing team had shifted opinion to work for the resistance
(H.E.A.R.T.). The intellectual resistance was important and arguably more impactful
for Widerstand than the physical
resistance.
Widerstand was a much more involved resistance than
most people think. Though the Nazis were part of an evil superpower, the brave
resisters in Germany still stood for what they believed in. Most resisters were
caught and executed, but that just shows that they succeeded in posing a threat
to the third Reich. From Communists to Jews, many different people shared a
common enemy in Hitler, and proved to the world that the Germany identity is
stronger than any military superpower.
[i]
FAUD is the Freier Arbeiter Union (Free
Worker’s Union). The leaders followed a lot of Communist values and disagreed
with Nazi control over workers and business.
[ii]
Unknown Author, the FAUD article was a part of an English journal written about
anarchy and resistance called En,
Organise!
[iii]
H.E.A.R.T. published a historical article on the White Rose Society, no
expressed author.
Rhetorical Context
The
German resistance movement in Nazi Germany, dubbed Widerstand, is probably the most important facet of Jewish identity
from the twentieth century. The movement marked a defiant group of Germans who
wanted to bring liberty back to their people, and wanted to stop an evil
superpower from taking the world. The identity itself encompasses so many “groups
from young to old, from Jewish to Communist”, it’s difficult to pinpoint exactly
what the full scope of the protest represented and what its goals were
(Brothers). It is evident, through analysis of the protest rhetoric and context
surrounding the protest’s identity, that the rhetorical goals of Widerstand literature in Nazi Germany
included helping, shifting public opinion on Nazism and creating an
intellectual disarray within Germany regarding Hitler.
It is important to look at the
identities that encompassed the Widerstand
movement and how they affected the protest. There were two different groups of
people that took the most part in the protest; Communists and Jews. The distinction
is not absolute, since many famous protestors such as Herbert Baum had “background
in both the Socialist and Jewish youth movements” (Brothers, Weisel). The Baum
group, along with the White Rose, were two of the most important groups
involved in the anti-Fascist protest, and they both included elements of Jewish
identity and Communist identity. The Baum group was a Communist group, led by a
Jew. They actually “produced a monthly news sheet entitled The Way Out (Der Ausweg)”
which was meant to “urge German soldiers to fight [with them]” (McDonough). On
the other hand, the White Rose society was comprised of “Jewish youth…
previously involved in Socialist movements in Germany post-World War I” (WRS).
It is clear that the rhetoric used had to have been inclusive to both
identities involved, which meant they had to share a common enemy.
The Jewish identity was one greatly at
risk by the Nazi’s actions, and the protest was fueled by the instinct of
self-preservation from German Jews. A people’s identity is important to them,
and most will risk their lives in the name of that identity. The Socialist
protestors were also important, as they opposed the Nazis for different
reasons, yet had goals that aligned very much with that of the Jews, mainly “striking
at their Nazi enemies” whether that be by intellectual or military means (Cox).
The identity couldn’t be considered a small part of the full identity of protestors
who have stood up to their government for what they believe in, or be a facet
of humanitarianism, even though they wanted to help Jews escape the clutched of
the Nazi regime. This is because of the split in origin of the protestors,
which meant that the entirety of the protest couldn’t be bunched in to either humanitarians
or government resistors, but instead had a splicing of both for the same cause.
In any case, it is evident that the identity of Nazi resistors in Germany,
though partially split on ideology and origin, shared goals of ending the third
Reich.
Intellectual resistance came in many
forms, such as religious opposition, resistance pamphlets, and cultural protest.
The most influential opposition was the White Rose Society in Germany, which
released anti-Nazi leaflets. This group really defined intellectual protest of
Nazis in their own way. They wrote about a very important aspect of the
protest, which was self-preservation of the German people’s identity. Nazism
was a stain on the German name, and would bring “shame that will befall
[German] children when the veil has fallen from [their] eyes” (WRS #1). This
use of pathos was strong, and appealed to Germans who simply followed Hitler
because he promised to make the world a better place for their children. The
White Rose was great at producing pamphlets with logical and emotional appeal. Their
idea of protest was mainly to keep the German identity strong and separate from
the Nazis. This goal ended up becoming a common goal among German opposition. Instead
of attempting something like destroying a Nazi headquarters, the “White Rose,
along with other youth groups that followed, urged people to separate
themselves from the Nazi culture, and instead preserve themselves” (McDonough).
The White Rose’s use of emotional appeal was preceded only by logical appeal to
the Germans. They attempted to hold a mirror up to Germans and make them see
what evils they were letting their country participate in. Those who followed
Hitler envisioned a utopia, but as a White Rose pamphlet puts it, “all ideal
forms of government are utopias… a state cannot be constructed on a theoretical
basis” (WRS #3). A rhetorical slap in the face, it seems, this statement is both
logical and critical of German’s docile behavior toward Hitler. This kind of
intellectual opposition was important rhetoric, as it set a precedent for
making Germans self-critical of their involvement in Nazism rather than
outwardly critical toward Hitler. It would later become the “most important way
Germans fought the Nazi culture”, as public protest became more and more
heavily outlawed (Cox). The White Rose used many forms of rhetoric in their
anti-Nazi pamphlets, and set important rhetorical standards for further
literary opposition.
One of the biggest facets of German
resistance was the cultural protest that Widerstand
is so famous for. The intent was to cast away the “imperialist ideology” and “centralized
hegemony” that the Nazis attempted to place within German culture (WRS #5)[i].
This kind of goal is not one intended to be done with military use, because of
the very nature of the goal. The goal of this area of protest was to bring
about a full change in Nazi society, which can only be done by means of
changing the society’s intellectual stance. It relies more on the people of
society than the leaders in this case, which created an interesting dynamic for
this protest to fit. Opposition to Hitler was the act of destroying his dreams
of Germany, which included totalitarian authority and a hegemonic structure for
him to sit atop, but not necessarily by absolute destruction of the regime. One
example of intellectual opposition focused on culture was the famous Swingjugend (Swing Youth) of Germany. Jazz
had been a hot button issue in Germany since the Roaring Twenties, and Hitler
set out “to eradicate [Jazz] music” (HolocaustMusic). The Swing Youth opposed
this cultural restriction and decided to dance to Jazz music anyway, forming
secret clubs to play Jazz and swing dance. This is an important example not
only because Youth were such a big part of the protest movement, but also
because they resisted Hitler without public protest. The kind of inner protest
was important, since “public protest had been deemed illegal by Hitler”
(McDonough). The only way to really oppose his regime was to was to break his
rules and make small dents in his ideology’s control over people. This was
accomplished by Swing Youth and serves as a staple cultural protest to
government hegemony.
Religious opposition was even used to
protest Hitler. Dietrich Bonhoeffer was a German protestant pastor who knew
that the use of religion would be a great rhetorical tool to fight Nazi
society, since the very doctrine of religion is meant to take precedence over
societal standards. His way of protest was originally “radio broadcast
criticizing Hitler,” but it was cut off mid-air (BiographyOnline)[ii].
It wouldn’t be until later that Bonhoeffer would preach a doctrine of
anti-Fascism in a meaningful way. His use of religion was interesting, however,
because it meant to bring Hitler down not by means of cultural or even societal
resistance, but by means of something that trumps both in the eyes of religious
people. God’s word is absolute according to the Bible itself, so if it opposed
Nazism, Germans would have to think twice about their support. This kind of
ultimate ethos was exactly what the movement needed to include all three
rhetorical means of persuasion; logos, pathos, and ethos. Appealing to God
himself became such a threat to Nazis, his “activities lead to his arrest in
1943” (BiographyOnline). His arrest highlighted the importance of his use of
religion to attack the Nazi way of life. Nazis knew how dangerous the use of
religion could be to end their control on the minds of Germans.
The rhetoric involved in anti-Nazi protest
was diverse, and included participation from multiple identities, all for the
same cause. Widerstand preserved the
German identity from the stain of Nazism both during the war, and following it.
Through use of cultural, religious, and intellectual opposition to Hitler and
Nazism, Widerstand participants got
their names in history as the “most important defense of German identity in
history” (Brothers). They managed to disassociate the term Nazis from the term Germans
forever.
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