Showing posts with label Tiara Bertram. Show all posts
Showing posts with label Tiara Bertram. Show all posts

Friday, May 6, 2016

Hear Us, See Us

Tiara Bertram
Final Exam ENGL306
Dr. Stephanie Brown
6 May 2016

It’s hard to ignore something that demands your attention.
For most of American history, the plight of Black people has been ignored. History classes in primary school briefly go over the terrors of slavery, but then push it away with the air of “this is the bad thing America did, but it’s over now and no longer needs to be talked about”. We honor the endurance of the Civil Rights movement with great shopping discounts on Martin Luther King Day. However, the daily experience of marginalization is often justified by an intricate system of multi-layered oppression, or otherwise ignored.
The Black Student Union decided that they would not stand for this societal dismissal, and organized the “Hear Us, See Us” Rally, a protest demonstrated that identifies itself under the umbrella of the Black Lives Matter protest movement, in memoriam of Trayvon Martin.
On the night of February 26th, 2012, Trayvon Martin, a 17 year old black boy living in Florida, was shot down while heading home from a convenience store by a neighborhood vigilante [maniac] George Zimmerman. Trayvon’s family, devastated and angry about the blatant racism that led to his death, held a press conference to publicize the story and demand that Zimmerman be brought to justice and charged with an actual crime instead of getting away with a “self defense” plea. The story struck a chord with the Black community, for this incident is not an anomaly, but a regular occurrence. It is a part of the Black American experience; an unarmed young Black male is killed by law enforcement (whether actual or imagined, as is the case with Zimmerman) for a ‘perceived threat’. The perceived threat is, more often than not, the color of his skin.
Thus, the Black Lives Matter protest was born. The goal of the movement is to vocally publicize the pervasiveness racism in the legal systems we deem as objective, and to demand that this treatment stop (Lawrence 2015). Of course, in the modern age of high-speed internet and social media, to publicly vocalize an issue is to hashtag it. This computational turn is really what caused the events that sparked the movement to gain publicity and for the movement itself to go forward (Trere 2015).
While #BlackLivesMatter became a national movement, it’s driven by local efforts, often by college students at various campuses (Lawrence 2015). At the U of A, the Black Student Union (along with the African American Student Affairs interns) took up the cause, and organized the “Hear Us, See Us” Rally. The rally was designed to be part silent protest, part memoriam. It was set for 5pm on Thursday, February 26th. About twenty people assembled. For the first half hour, the Black Student Union and the AASA interns assembled on the Admin Plaza, wearing all black and black hoodies, and stood silently while holding signs with slogans such as “BLACK LIVES MATTER” “REST IN POWER, TRAYVON” and “HEAR US, SEE US” written in large letters. A handful of people walked by and noticed the assembly, but did not say anything. More students who were part of the planning joined and stood in silence and solidarity with us. Those who didn’t have signs would often hold up their hands in the “Don’t Shoot” pose, hoodie’s pulled low over their faces.
After the extended moment of silence, the BSU co-president Kevyn Butler had the protesters (many of whom were still arriving) reconfigure in a circle in the walkway. The other co-president, Trinity Goss, then went on to read a somber spoken word piece of resilience. Small slips of paper, containing the names of other Black people who were murdered by law enforcement, circulated around the group to be read out loud. By the end, the protest was about 40 members strong.
This protest relied on three main rhetorical strategies: pathos, kairos, and body rhetoric. Pathos was overwhelmingly the most important one, with the program in place for the protest event relying heavily on emotional response. For one, many White Americans automatically feel uneasy when there’s a gathering of Black people in public spaces, especially in that sort of “gangsta” attire of oversized, dark colored hoodies, and University of Arizona is a majority Wite school. The thirty-minute moment of silence is intended to make the observer think about what the person in the protest is saying with their poster or body language. The reading out loud the spoken word poetry and the names of all those who were killed elicit empathy and pity, perhaps indignation at the injustice of it all.
The rally also used Kairos; that is, timing. The time element of the moment of silence portion was pretty attention-grabbing in and of itself, to have a group of people standing silently sometimes says more than to have everyone yelling some sort of slogan. The date, February 26th, was the third year anniversary of Trayvon’s death. Also, the rally was held at 5pm, which was supposed to be a time when there would be students headed towards the union for dinner and the rally would be visible.
Body Rhetoric was also an important aspect of the rally. One of the controversies of the issue is that Blacks are shot for the police claiming they ‘perceived threat’ even when the Black person has clearly indicated that they are surrendering, such as with Eric Garner’s “I can’t breathe” and the widely recognized “Don’t shoot!” hands up pose. Many protesters who were not holding signs raised their arms that way, which is a clear symbolic action that made the protest recognizable.
The Black Student Union declared the event a success. However, the goal and namesake of the protest-- to be seen and heard--was not quite accomplished. There wasn’t the same rush for dinner as there is for lunch at the union, so visibility was mediocre. Of those who did walk by, only three people outside of the BSU/AASA community stopped to hear what was being said during the memoriam part of the protest. Finally, even though there is a new hastagged name every few months with a new viral story of a Black life unjustly taken, these stories don’t stay at the forefront of for very long, and nothing has actually changed. Without meaning to, this protest, and it’s larger umbrella protest of Black Lives Matter, might be fading into the consummation stage of the Protest life cycle.
An effort that might help bring this movement to a more active state is by perhaps choosing a different location for it. Heany and Rojas discuss how location can be a powerful way to frame a protest. “The invocation of place sparks a mobilization of myriad actors who seek to lay claim to the proper interpretation of place” (246). One location that would be a good place to stage a protest in this movement would be at the Fruitvale metro station of the Bay Area Rapid Transit system, the site of Oscar Grant III’s murder in 2009.  Of course, this isn’t feasible for the University of Arizona protest organizers, who are more or less tied to campus as this protest happens while class is in session. The Admin Plaza on the U of A campus is a recognized location for public discourse, and many student-led protest activities have occurred there, so by also being there, HUSU could easily be read as a protest. However, perhaps having the protest in the union would have actually garnered more of the response and engagement from other members in the student body.
What really needs to happen is mobilization behind getting a law passed that requires body cameras on police officers, and directs funding towards implementing that in police departments that serve large minority populations first, and then on to hopefully every police force in America. . The only reason Oscar Grant’s murderer was actually convicted of criminal charges is because so many people had recorded the incident on their cell phones and were able to record the event from numerous angles.

            In conclusion, the BLM movement and the HUSU movement have a lot of work to do still, and perhaps a refreshing of strategy will reactivate this campaign for justice.




Works Cited

Lawrence, Charles R. "The Fire This Time: Black Lives Matter, Abolitionist Pedagogy and the Law." Journal of Legal Education, vol 65 issue 2, 1 Nov 2015. Hein Online. 2016.

Treré, Emiliano "Information, Communciation & Society". Taylor and Francis Group. 2015

Monday, May 2, 2016

New MLA format

Lawrence, Charles R. "The Fire This Time: Black Lives Matter, Abolitionist Pedagogy and the Law." Journal of Legal Education, vol 65 issue 2, 1 Nov 2015. Hein Online. 2016.

Thursday, April 28, 2016

Final paper topic: Fix a Protest

Who/what: Hear Us, See Us Rally 

When: February 15, 2015

Where: Admin Plaza on the U of A campus

Why: This annual protest was organized by the Black Student Union and the African American Student Affairs. I was an intern during spring of 2015 and got to see the process of planning and execution. At the core, the goal of the rally was to take a symbolic stand against racist police brutality. While that was technically accomplished, the rally was extremely unrecognized outside of the UA Black student community, and so the protesters were not really seen or heard. Furthermore, symbolic action is great for sparking conversation, but the conversation was already started with the emergence of the Black Lives Matter movement in 2012, so more focus should be on how to remedy the problem. I will, therefore, put forth some ideas of how the symbolic action of HUSU could have been better executed, and include an entirely different way to impact the struggle for justice.

Wednesday, April 20, 2016

Topic Strings

1.  It’s no secret that women, even in the modern era, are still oppressed. Feminism is known for being associated with liberal, radical man-hating, but in reality, it’s about embracing women as multidimensional human beings and giving them equal power and recognition in all spheres of life. In a world that constantly reduces women to making sandwiches in the kitchen, feminists stand up and proclaim that women are awesome. Beyoncé is one of those feminists, and she has made said proclamation with the release of her song and music video, “Run the World (Girls)” in protest to the patriarchy. This song explicitly states “Who runs the world?/Girls! Girls!” The empowerment message is pretty direct, because one can’t help but contrast it with the current patriarchal power systems in place.
Original Characters (7):
Women
Feminism
Feminism (again)
Feminists
Beyonce
Beyonce (again)
Beyonce’s song
The message of the song
A person listening to the song

2. Characters that should be focused on:
Feminism
Beyonce

3. The purpose of the paragraph is to connect Beyonce to the feminist movement through the fact that she released a song that can be used as protest.

4. Feminism is a movement that grew out of women recognizing and fighting against their oppression. It is not about hating men. Rather, feminism is about embracing women as multidimensional human beings and giving them equal power and recognition in all spheres of life. Feminism relies on people who identify as feminists to actively promote the formerly unrecognized awesomeness of women. One such person is Beyonce, who released a song and music video, “Run the World (Girls)” in protest to the patriarchy. Beyonce uses the song to empower women by literally saying that “girls run the world”. She forces the listener to think about whether what she’s saying compares to the real world, and to question the patriarchal reign.

5.
Topic position
Stress position
Feminism is a movement
that grew out of women recognizing and fighting against their oppression. 
It is
not about hating men. 
Rather, feminism is
about embracing women as multidimensional human beings and giving them equal power and recognition in all spheres of life. 
Feminism
relies on people who identify as feminists to actively promote the formerly unrecognized awesomeness of women. 
One such person is Beyonce
who released a song and music video, “Run the World  (Girls)” in protest to the patriarchy. 
Beyonce  
uses the song to empower women by literally saying that “girls run the world”. 
She
forces the listener to think about whether what she’s saying compares to the real world, and to question the  patriarchal reign.


6. Feminism progresses with the spreading of the message by feminsts like Beyonce, who released a song in protest of the patriarchy.

Wednesday, April 6, 2016

1. Is the identity of the protest's participants illustrated in this draft?
2. Are the sources used relevant and helpful for explaining and exploring the historical and rhetorical context of the specific protest?
4. Is the context explained to such a degree that a person with no prior knowledge on the subject could understand what this paper is discussing?
3. What suggestions for revisions would you make?

NATALIE: Is there a clear connection between the historical and political context of South Africa and the specific type of protest exhibited in the Purple Rain Protest?
SAM: Is there enough historical context given?
TIARA: Does the rhetorical and historical context given accurately connect to the idea of professional development vs. service-orientation in teaching?
MILENA: How do I tie in the identity of the human protesters with the identity of the whales they are protesting on behalf of?

Tuesday, April 5, 2016

Micromobilization

Definition: the taking of a protest-oriented action at a very localized and personal level [on social media]

Example: A person who identifies as pro-choice in the abortion debate posting to their Facebook wall "Like this post if you think women should have control over her own body and not be told by state legislatures that her reproductive health isn't important". Also, anyone who then does like that post.

In the text: Milan states that Melucci's analysis of social media and protest is "situated at the micromobilization level, thus observing the interplay between personal and collective identities" that is, individuals are feeling like they contributed to a movement with their minute actions.


photo courtesy of a google search of "like on facebook"

*I didn't realize I had a second term until in class today, that's why I'm posting this now
**I'm also totally guessing at this definition because she doesn't use the full term "micromobilization" after that first part of the paper

Friday, April 1, 2016

Pro and Anti Movement

Definition(s) (p. 11)
-Pro Movement: a social movement that attempts to get the public to accept a certain, usually newer idea or institution
-Anti Movement: a social movement that attempts to get the public to reject an existing idea or institution

Example: The movement where one believes a woman should have total control over her reproductive health decisions, including the decision to abort an unborn child, is called pro-choice. It is the goal of this movement to get the public to accept the idea of an abortion being a simple health concern and not, as their adversaries say, the criminal act of murder.

(Photo Courtesy of jillstanek.com)

Precis-ly

McAlpine, Lynn. "Identity-trajectory: Reframing Early Career Academic Experience." British Educational Research Journal 40.6 (n.d.): 952-69. 1 Dec. 2014. Web.


In the 2014 article “Identity Trajectory: Reframing Early Career Academic Experience” Lynn McAlpine looks at how a person pursuing a PhD at an English or Canadian institution navigates their early career development and the impact that has on their identity. She develops her thesis by explaining how other research studies on identity have been quantitative in nature with a focus on structural, systematic identity building, and the qualitative approach of her longitudinal studies help to fill in the gap in understanding of how individuality affects identity construction. She furthers the concept with the component of a trajectory, which in this paper places identity in the changing contexts of the person’s life. Her goal was to use this research to help increase retention rates for PhD programs. Her research is joining an extensive body of literature on higher education and is to be circulated among the curators of various graduate programs for a deeper understanding of potential recruits for their programs.

Wednesday, March 30, 2016

Research Question

Is the position of adjunct lecturer a form of exploited labor or a necessary step in the pursuit of a teaching career?

Tuesday, March 29, 2016

National Adjunct Walkout Day (Topic Exploration)

1. While National Adjunct Walkout day was, as the title says, national, I’m drawing my boundaries around the University of Arizona campus. This is in part because of my direct exposure to it (i.e. my being connected to some of the actors involved with the demonstration) and my primary material (the Daily Wildcat clipping) being what I drew my topic inspiration from.

2. The identity I’m writing about (adjunct lecturer) is exactly tied to the protest, because that specific status within the world of academia brings the problems that they’re protesting against, such as low pay, lacking working conditions, and almost zero job security.

3. The walkout was exactly what it sounds like. On February 25th, 2015, University of Arizona adjunct instructors literally left the class buildings and congregated at the alumni plaza to articulate their concerns and be seen (and hopefully heard) by the administrative offices of the university. This walkout would have disrupted a significant number of classes, since non-tenure track faculty make up about 40% of the teaching staff at the university.

4. One of my biggest concerns is actually that my boundaries are too small. Given that we need a lot of scholarly, peer-reviewed sources, I’m not sure that I can have enough specifically about the U of A protest. Based on my rudimentary, surface-level research on the topic, there are also several different definitions of “adjunct teacher” and while they all face the same basic problems and discrimination, there are some nuanced challenges for specifically being a college adjunct lecturer compared to a primary school adjunct or part time instructor. I’m not sure how much of my paper can be about the comparison between the different types of adjunct in comparison to my analysis of the issues being protested.

Monday, March 28, 2016

1. Ayers, M. D. (2003). Comparing collective identity in online and offline feminist activists. In M. McCaughey & M. D. Ayers (Eds.), Cyberactivism: Online activism in theory and practice (pp. 145–164). Bristol: Taylor and Francis

*Peer reviewed, Historical Context 

* The source fits into this category because the author Emiliano uses this source to explain his own historical context behind digital social movement studies 

2.Tuckman, J. (2012, June 26). Mexican media scandal: Secretive Televisa unit promoted PRI candidate. The Guardian


*popular source (used as a primary)

* This source is part of the actual object of the protest. Emilio cites it when he talks about what the network was doing 

3.García, R. G., & Treré, E. (2014). The #YoSoy132 movement and the struggle for media democratization in Mexico.


*peer reviewed scholarly on the specific protest

*this source was directly talking about what the yo soy movement was 

4. della Porta, D., & Diani, M. (2006 [1999]). Social movements: An introduction. Malden, MA: Blackwell.


*theoretical peer-reviewed scholarly 

* He gives the three mechanisms, which elaborates on the ways in which actions create identity 

Wednesday, March 23, 2016

What Kind Of Place Is the U of A?

Ironically, the location of my protest (the Adjunct Walkout Day) is Tucson, but I will scale down to the University of Arizona main campus.

-research institution
-basketball school (NCAA)
-Wildcat pride (and hating Phoenix because of it)
-party school (strong Greek community)
-liberal and politically active

I think one of the biggest factors about this protest is the idea that U of A has a LOT of school pride. The protest took place on the Alumni Plaza, where the words of "All Hail Arizona" are physically inscribed into the staircase. Some of the language used around the Adjunct protest is the idea of "Wildcat Family" and doing that in the Alumni plaza ties into the theme nicely.

 Lots of protests and demonstrations happen at the Alumni Plaza--that's where Brother Dean/Jeb do the hate preaching, that's where the short-lived Zonathon movement had their flashmob, and that's where the African American Student Affairs have their annual Trayvon Martin Memorial Silent protest. A standstill gathering in that space typically indicates a protest of some sort is happening, and since that space has a lot of traffic as well between classes, it's a pretty good way to get the message out.

Place, Space and Geography in Social Movements and Multivalent Meanings and the Scope of Conflict

1. Place, Space and Geography in Social Movements
  • increased recognition of the importance of space in a social movements because:
  • to get people to join the movement--if surroundings don't support
  • locations can be symbolic--ex. March on Washington to the Lincoln Memorial became representative of having voice heard, Lincoln a symbol of freedom

2. Multivalent Meanings and the Scope of Conflict
  • symbolism affects progress of movement 
  • "The outcome of any conflict is determined by the extent to which the audience becomes involved in it" (p. 246) -- where the protest is happening and how much space they claim will determine how many people will be involved.

Framing can happen outside of location--however, location and place can make or break a movement. Ideas have different meanings in different places, particularly in regard to morals and values. Place greatly affects the perception of framing. Movement leaders can use a place to frame an argument.

Key terms:
1. Multivalent: having many different interpretations, meanings, or values
  • scale: national, regional, and local level of engagement
2. Credence: belief in or acceptance of something as true

Monday, March 21, 2016

Examples of Framing (and practice Precis)

Bridging: Connecting animal rights to humans, seeing pets as "members of the family"

Transformation (or Amplication?): Trying to create a distinction between Islam the faith and terrorist extremists, by comparing to other extremists faith examples (like the initial spread of Christianity)

Transormation (or Amplication?) another guess: "Throw like a girl" campaign to change the idea that women are weak to recognizing that women are strong


Precis:

In the first section of the 2006 essay "The Place of Framing:Multiple Audiences and Antiwar Protests near Fort Bragg" Michael T. Heaney and Fabio Rojas argue that the March 19th, 2005 protest was an amplification framework for the "support the troops" rhetoric that was inherently tied to the chosen location of Fort Bragg. He starts by providing the historical facts for context of the protest and then defining the different types of framework to draw the connection. He hopes to prove that location was a carefully chosen strategic move. His audience would be rhetoric students, analysts, and scholars,

Wednesday, March 9, 2016

The Exploitation of Adjunct Lecturers




(Photo from Daily Wildcat)



Who/What: An adjunct is a contracted instructor. Since often times the demand for classes outweighs the amount of full time faculty (Walker), institutions will hire part time or temporary instructors on a semester or annual basis. They often times have the qualifications of any full-time professor; many qualified instructors  accept adjunct positions, especially in the beginning of their careers, to further their experience, but their workload is not properly compensated for and Adjunct Lecturers are not paid at the same rates as their tenure track counterparts. I would be focusing on the Adjunct Lecturers at the University of Arizona.

Proof of identity: There's a clear distinction between tenure-track and non-tenure-track teaching positions in the world of academia (and this distinction is also the source of a lot of tension and anxiety). In academia, receiving a tenure track position is a pressing goal and fairly strong job security.

When: National Adjunct Walkout Day happened February 25th 2015.

Where: The U of A adjunct instructors met on the alumni plaza in front of the Administration building on the U of A campus to declare their demands.

Why: Adjunct lecturers make up more than 40% of the instructors on the U of A campus (Walker), and if they don't have livable wages and they have to have side jobs and be stressed out, not only is it reducing the quality of their own lives, but it also can affect the quality of their teaching, which is taking away from their students' experience as well.


Works Cited:

Walker, Brandi. "UA Adjuncts Protest Wages." Arizona Daily Wildcat ::. N.p., 26 Feb. 2015. Web. 9 Mar. 2016.

Monday, March 7, 2016

Stewart piece: Historical and Rhetorical context

Historical context:

  • Top left 490 "More than 250,000 leaders, members and sympathizers of the civil rights movements gathered in Washington DC on August 28, 1963 both to celebrate the movement's achievements and to demand 'Freedom now!'" Civil right's movement 1963, the day of Martin Luther King's "I have a dream" speech. 

  • Bottom left 490 "During the freedom Summer of 1964, there were six murders, thrty-five shootings, sixty-five bombings and burnings of homes, businesses, and churches, and at least eighty recorded beatings." There was a lot of violence during the summer of 1964
  • "demonstrationss in nine northern cities between July 18 and september 7, 1964, revealed a growing militancy"     Growing militancy between July 18 and Sept 7 1964 at the democratic party convention

  • March in Selma, March 1965
"Disillusionnment with movement leaders and their white liberal allies excalated in March 1965 when participants in the Selma to Montgomery march were beaten and Martin Luther King, Jr. turned the march around a few days later rather than risk bloodshed from heavily armed oollice waiting for the marchers."
  • James Meredith voter registration tour of June 1966
  • June 17th Carmichael getting arrested for the setting up his tent on th black school grounds when the militia said no


Rhetorical Context:

  • "A favorite target was the march of the previours summer that he referred to as the 'circus' or the 'Farce on Wasington.'"   referencing the Malcolm X's bullet or ballot speech as a  rhetorical moment (bottom left 490)
  • "The press noted that Willie Ricks the field secretary of SNC, was heard to shout a catchy new phrase 'Black Power!'"   referencing that Carmichael waiting to use the phrase "Black Power!' so that it could properly catch on (bottom right 491)

  • referencing that MLK had a hard time convincing the other younger leaders that nonviolence and white alliances were the best option (bottom left 491)

Tuesday, February 23, 2016

Who Run The World? Girls!

Tiara Bertram
Dr. Brown
ENGL 306
23 February 2016

It’s no secret that women, even in the modern era, are still oppressed. Feminism is known for being associated with liberal, radical man-hating, but in reality, it’s about embracing women as multidimensional human beings and giving them equal power and recognition in all spheres of life. In a world that constantly reduces women to making sandwiches in the kitchen, feminists stand up and proclaim that women are awesome. Beyoncé is one of those feminists, and she has made said proclamation with the release of her song and music video, “Run the World (Girls)” in protest to the patriarchy. This song explicitly states “Who runs the world?/Girls! Girls!” The empowerment message is pretty direct, because one can’t help but contrast it with the current patriarchal power systems in place. For example, roughly 50.8% of the United States population is female (census.gov) but only 19.4% of all of the seats of the United States Congress are women (CAWP Rutgers).
As an object of protest, the song/video has a dual purpose depending on who is consuming it. For female viewers and listeners, it’s declaring that we have far more power than the patriarchal societies that we live in indicate that we do.  For male viewers and listeners, it’s demanding that they recognize how much women are devalued when we are capable of anything and, furthermore, are really the source of grunt work behind many functions that are experienced globally, from raising a family to running a business as an executive: hence, the mantra of “who run the world?” repeated through the song.
Beyonce’s audience is far and wide. As a mainstream American popular R&B artist, she has an international reach for the people who would be listening to her music. While men also hear her music both voluntarily and involuntarily, her audience is primarily female, and her target audience therefore would be females who probably identify or at least agree with feminist ideals.
            An underlying and poorly indicated goal of “Run The World (Girls)” is for men to join in this fight for gender equality. She calls out “To all the men that respect what I do please accept my shine,” in the second verse, as a quick nod to let them know she doesn’t mean to hate on all men (just the ones who don’t respect what she does). Visually, she has two male back-up dancers in the first minute and a half of the video, reverse-flanking Beyoncé in the first refrain and part of the first verse. These two men are dressed in all black with leather vests, red cloth turban caps, yellow rope necklaces, and red sashes as belts. They are symbolic of an alliance between the genders, that it’s not just women who are fighting for gender justice.
Thesis: Beyoncé's purpose in releasing this song and video is for women of all backgrounds to unashamedly claim their power, and she does this by relying most heavily on pathos, but also through ethos and logos.
Most of the pathos can be found in the video more than the song. The video starts with scenery that looks like it could be a war zone, open dusty spaces strewn with junk, a fire in an industrial trashcan, the shadowy silhouette of a chaotic crowd of women running by each other, Beyoncé on a rearing black horse. The army of men is dressed as we would expect to see a militia, with dark uniforms, helmets, nightsticks, and riot shields. The woman army (which includes women of every nationality and ethnicity, to promote a global feminism of ALL women fighting for their rights) is dressed in military caps, black bras under black leather studded vests and jackets, and drape-like sashes and skirts in a variety of colors, carrying red flags, reminiscent of a sexy rebel army. This incites a feeling of intensity and admiration of these femme-fatale warriors fighting for gender equality, making the video effective.
She also uses pathos in how the song is composed and performed. There is a lot of heavy percussion, and the refrain is more shouted than sung. This tone of determination bordering on anger gives the song an in-your-face quality of a street protest, and was actually noted for not being done in the typical pop song style that’s suited for the clubs where a lot of Beyonce’s music is disbursed (CNN).
Most of the ethos from this song comes from the fact that it’s a Beyoncé song. She’s a well-developed icon of American pop culture, and specifically as woman-empowerment singer (with past songs including “Single Ladies” “Diva” “Upgrade U” and the Destiny’s Child hit “Independent Woman”) by the time this song released. In the song, she states she’s “reppin’ for the girls who takin’ over the world”. She is a performer, business woman, currently a mom (although not at the time this song was released) and multi-millionaire, also allowing her to declare herself as a leader. In the video, most of her positioning centers her as the leader of the female revolutionaries, highlighted by her brilliant blond hair flowing in the wind, and she snatches the badge off of the male leader and places it on herself.
Logos is a bit lacking in this particular song. Many of the lyrics are done like traditional rap hype, in slang and the messages aren’t always direct in the message. Some of the lyrics account for the accomplishments of women: “help me raise a glass for the college grads” while others are more about the sheer resilient awesomeness of women: “we smart enough to make these millions/strong enough to bear the children, then get back to business” which seems to point towards working mothers. But with the exception of those few lines, plus the incessant pulsating chant-like refrain, logos is not the primary strategy used by Beyoncé for her protest.
As far as achieving her purpose, Beyoncé has received a lot of pushback from this song being an anthem of modern feminism. A lot of what she intended with the visuals in particular could still be perceived as restrictive and even oppressive to women. One of the biggest controversies comes from the subliminal messaging in having the women scantily dressed, and with lyrics like “boy you love it” “hope you still like me” and “endless power with our love we can devour/you’ll do anything for me” indicates that women get their power from their sexuality, or from the fact that men sexualize them and are persuaded by means other than reasoning, and reducing the intellectual power of the college grads she just raised her glass to. It’s important to realize, however, that the primary purpose of any pop song is simply to gain listeners, and since the most repetitive part of the song is the part most remembered, the beginnings of a feminist mindset, stating that “girls run the world” is basically a positive thing for the feminist movement.




















Lyrics from beyonce.com:

Girls, we run this mutha, yeah (x3)
Girls, we run this mutha, girls
Who run the world, girls, (x4)
Who run this mutha, girls, (x4)
Who run the world, girls (x4)

Some of them men think they freak this like we do but no they don’t
Make yo check come at they neck, disrespect us no they won’t
Boy don’t even try to touch this, boy this beat is crazy
This is how they made me, houston texas baby


This goes out to all my girls that’s in the club rockin’ the latest
Who will buy it for themselves and get more money later
I think i need a barber, none of these can fade me
I’m so good with this, i remind you i'm so hood with this


Boy i’m just playin’come here baby
Hope you still like mef u pay me


My persuasion can build a nation
 Endless power with our love we can devour
You'll do anything for me



Who run the world, girls (x5)
Who run this mutha, girls (x4)
Who run the world, girls (x4)



It's hot up in here dj don’t be scared to run this run this back
I'm reppin’ for the girls who takin’ over the worldhelp me raise a glass for the college grads


41 rollin’ to let you know what time it is, check
You can’t hold me i work my 9 to 5 betta cut my check
This goes out to all the women gettin’ it in you on yo grind
To all the men that respect what i do please accept my shine
Boy you know you love it how we smart enough to make these millions,
Strong enough to bare the children, then get back to business


See, you better not play meoh come here baby
Hope you still like mef u pay me


My persuasion can build a nation
En dless power with our love we can devour
You'll do anything for me



Who run the world, girls (x5)
Who run this mutha, girls (x4)
 Who run the world, girls (x4)



Who are we, what we run, the world who run this mutha, yeah
Who are we, what we run, the world who run this mutha, yeah
Who are we, what do we run, we run the world who run this mutha, yeah
Who are we, what we run, we run the world
Who run the world....girls

Works Cited

beyonceVEVO. “Run the World (Girls).” Music Video. Youtube. Youtube, 18 May 2011. Web.              8 February 2016.

Dinh, James "Beyoncé's 'Run The World (Girls)' To Hit Radio, iTunes Thursday". MTV News.                 MTV Networks. 21 April 2011. Web. 8 February 2016.

Monday, February 22, 2016

Sample Paper Feedback

1. The organization was unclear; the explanation for what the object of protest was, and how it ties to their main ideas.

2. Not a lot of analyzing the use of pathos, logos, and ethos, or what that mean, why the 3 were used or how effective.

3. Didn't meet the requirements, so there were sections missing. Not only was it not long, but it also was missing ways to tie ideas to each other. It was a lacking paper.

Thursday, February 11, 2016

Citizen Response

Slight tangent: I work for the English department, and the other day, I saw that someone on the faculty ordered Claudia Rankine’s Don’t Let Me Be Lonely: An American Lyric. I’m curious to know whether that book is related to this one? What then does she mean by “American lyric”?

Talking about Black issues is always personal for me. The overwhelming feeling I had throughout the reading was remorseful agreement, because so many of the sheer emotions expressed are feelings that I’ve experienced for the same reasons. Of course the way this is written is meant to invoke feelings in all of the readers, in the white readers, to have the injustice sitting plain and unavoidable before you. It’s set in second person—it forces you to imagine the situation before you as if you are a participant. Because some readers get the “as if” option. I think in that way, that makes it a work of protest. Pathos can be a very effective tool in changing the way people think about something; it’s the one thing that can throw off rationality.
               She also asks a lot of questions. This might just be a me-thing, but it seems that people can’t encounter questions without attempting to answer them. So, with so many questions in this piece, the reader is forced to engage.
               The visuals were the hardest part for me. Sometimes I could understand where they fit into the narrative, but sometimes I didn’t understand it at all. I checked the titles in the back of the book as well. I would love to talk about page 113 next week though.

I also kept track of my favorite lines:

“no amount of visibility will alter the ways in which one is perceived.” (24) I feel like this plays into that idea that sometimes uncivil disobedience is necessary. Just having your problems blatantly on the table doesn’t mean anyone is trying to help you fix it. But if you threaten them, people will cooperate at least a little more. I’m just saying.

 “The world is wrong.” (63) It took me a long time to learn this, personally.

“Though you can retire with an injury, you can’t walk away because you feel bad.” (65) This just made me think about the idea that only certain types of hurt are considered legitimate. And often times, the hurts of black people are not considered legitimate.


“And you are not the guy and still you fit the description because there is only one guy who is always the guy fitting the description.” (105) Honestly, this just made me feel straight out fear for my younger brother. Because he doesn’t like to keep in touch with people, and I really never know whether he will be randomly selected as another murder victim, Fruitvale Station style.

Monday, February 8, 2016

Statue of Paul Bogle in Morant Bay, Jamaica


Who/What: Paul Bogle was a minister in Morant Bay Jamaica in the 1860's who marched in protest of an unfair arrest for a man who disrupted a trial, but it was really a general protest of the inequality in Jamaica and the lack of rights for freed slaves. He was named a National Hero of Jamaica in 1969 and his face is still on Jamaican coins.

Where: This statue is located in front of the Morant Bay Courthouse.

When: The rebellion took place on October 11th, 1865, and the statue was erected in 1965.

Why (is it interesting/relevant): There's been some controversy over whether this statue can even be an accurate representation of the movement that Bogle stood for, because the model for the work of art was actually a relative of his from a few generations later, and not Paul Bogle himself.

Identities: The protest march that Bogle participated and then died in was primarily made up of poor blacks who had been freed slaves or descendants thereof. Many of them were out-of-work laborers, and did not have the right to vote or participate in citizen activities.

Works Cited

Chang, Kevin. "Paul Bogle and Historical Memory." The Gleaner. N.p., 10 June 2012. Web. 08 Feb. 2016.

"Morant Bay Rebellion." Wikipedia. Wikimedia Foundation, (last updated) 1 Feb. 2016. Web. 08 Feb. 2016.

"Paul Bogle." Wikipedia. Wikimedia Foundation, (last updated) 6 Feb. 2016. Web. 08 Feb. 2016.

Image also from Wikipedia page(s).