The identity of female artists created this program and work of performance art specifically to challenge the oppression of the art community on women. Naming the program the “Feminist Art Program” and not a title that just referred to the group as a “Female artists program” or something similar states that their objectives with this group was to tackle women’s issues and oppression through artwork.
The Feminist Art Program created this work of art themselves, and Johanna Demetrakas created a documentary about the work of art at the time it was being made in order to preserve it long after the building was demolished (Chicago). For this assignment I will be examining Womanhouse and the documentary that was created as two objects of protest. This group was one of the first to make headway with female artists performing, however they were certainly not the first group of feminists or feminist artists to create protest against female oppression through art.
One thing I am concerned about through my research so far is obtaining clear protest goals from this work of art. With so many different people working together I have read many accounts of different things that wanted to be achieved through this work, some without intending it to be a protest at all. However this work is clearly a protest in its confrontation of the concept of “woman’s work” and what women artists were perceived to be able to achieve. I just need to research many more sources to support my argument. I am also concerned about being able to accurately describe the artwork done through words. I am not sure if this post is a place for questions but one that I have is would I be allowed to use pictures in my essay?
Works Cited:
Chicago, Judy, and Miriam Schapiro. "Original Exhibition Essay."WOMANHOUSE. NYFA, n.d. Web. 29 Mar. 2016.
Youdelman, Nancy. "Feminist Art Program." Fine Art | Mixed Media | Sculpture. N.p., 09 July 2011. Web. 29 Mar. 2016.
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